Bescherelle : La grammaire pour tous by Collectif

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Extra resources for Bescherelle : La grammaire pour tous

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The idea that I want to share with you is that there are accessories and apparel that live in that interstitial place in the everyday, unremarked lives of many families. And that many families house an invisible, private museum populated with items such as my grandfather’s aviator cap, which are not worthy of inclusion in public museums and yet are distinctly different from the other objects which fill people’s houses. They are neither insignificant stuff nor public patrimony. They are not catalogued or curated yet they are taken care of and their history is passed down through the generations – often orally.

But I learnt abbout form, silhhouette and prroportion. I learnt abbout draping, cutting on thee bias and how to w weight a full cirrcle skirt. I leaarnt about coloour and texturre. I learnt thesse things, I learnt aboutt these things. My love of fashioon was nurturred by the tw wo strongest women w in m my life, Zita annd Juliánna, annd developed aalongside my lovee of Art, musicc, opera, balleet. They taughtt me that, likke them, I am an artist. A they taughht me that And I could woork; I was a workker; I was never afraidd of work.

Photographed by Tony Fleminng in 2013. The foollowing photoographs are oof the clothingg Raymond woore and the beed where he sleppt in Shackletoon’s Hut 19077. Photographss: Tony Fleminng (2013). R. ), The Mem mory of Clothes, 37–40. 3 © 2015 Sense Publisherss. All rights reservved. TONY F FLEMING 38 I’LL GO O ANYWHERE TO GET OUT OF F THIS DAMNE ED PLACE! 39 TONY F FLEMING REFERENCE E Flemingg, T. (2013). Soutth. San Franciscoo: Blurb. com/bb/2095574southh 40 MARIA ANNE HULSBOSCH MNĒMO ONIKOS P PATERAS Si It is the boots I remember r mosst: the smelll, the size andd the texture..

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