Art Nouveau (Art of Century) by Jean Lahor

By Jean Lahor

Artwork Nouveau designates an ornamental and architectural variety constructed within the Eighteen Eighties and Eighteen Nineties within the West. Born in response to the economic revolution and to the inventive vacuum left at the back of in its wake, paintings Nouveau was once on the middle of a "renaissance" within the ornamental arts. the first goal of the circulate used to be the construction of a brand new aesthetic of Nature via a go back to the examine of ordinary topics. in an effort to accomplish that, such artists as Gustav Klimt, Koloman Moser, Antoni Gaudi, Jan Toorop, and William Morris favoured innovation in procedure and novelty of kinds.

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Extra resources for Art Nouveau (Art of Century)

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They had, above all, demonstrated a most praiseworthy passion that rarely concerns us today: the desire to include art, decoration, and beauty in all things. Compare the attention they brought to the task of fitting out and arraying their painting galleries to the almost careless indifference that France applied to preparing its own galleries and you will see the lesson to be learned here. Among the deserving works remaining for discussion among the Exposition’s German sections of applied art is the furniture of Spindler.

Colour lithograph. Victor and Gretha Arwas collection. Eugène Grasset, Snow-drop. Plate 32 from Plantes et leurs applications ornementales (Plants and their Application to Ornament), 1897. Victoria and Albert Museum, London. Victor Prouvé, Salammbô, 1893. Mosaic leather and bronze. Musée de l’Ecole de Nancy, Nancy. qxp 3/30/2007 4:44 PM René Lalique, Winged Female Figure, c. 1899. Private collection, New York. Hector Guimard, Castel Béranger, detail of entry and door to courtyard, 1895. Paris. qxp 3/30/2007 2:18 PM Page 39 II.

The Germans also made extensive and highly skilled use of wood. The beautiful vaulted ceiling of Professor Riegelmann, which was made entirely of sculpted wood, represented an imitation of the ancient ceilings of the German and Swiss Renaissance, now dotted with electric lights for night. Unsigned, Façade of the Women’s Pavilion at the 1900 Universal Exposition in Paris. Photograph. Private collection. Richard Riemerschmid, Mug, 1902. Stoneware. Victoria and Albert Museum, London. qxp 3/30/2007 4:59 PM Bernhard Pankok, Armchair, 1897.

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