American Art in the 20th Century - Painting and Sculpture, by Christos M. Joachimides, David Anfam, Norman Rosenthal

By Christos M. Joachimides, David Anfam, Norman Rosenthal

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Immediately afterwards, in effect, the 'high priests' of his salon. Magazine, 1979, pp. 154-8. Michael Klein, John Cozen, 1882-1960, Washington, DC, 1976. The Armory Show and Man Fig. 8 West Ra\', 6'jth Street, c. Early Modernism 43 Marcel Diichamp V Studio, 55 191 7-1 33 West 67 New-York ih (191718 f, 2l £ ^ -J Both Duchamp and Picabia passed from Cubist had become clearly Dadaist portraits', in ICI. CEST FOI 1CI which in flavour. fantastic or real st\'les to a vision which, That year Picabia did machines a series by 19 15, of 'machine portable lamp, a sparking plug, and (a STIEGLITZ so forth) alluded to specific people through the appropriateness of the machine to ET AMOUB their personalit}' or vocation.

Wright Mills, Theodor \\'. Adorno, xMax Hork- Douglas Tallack 30 Fig. 2 Senator Joseph McCarthy during a Senate sub-commirtee hearing, 1954. Counsel for the US Army, Joseph Welch, is on the left heimer and Herbert Marcuse of the Frankfurt School in exile ; the historians Richard Hofstadter, Arthur Schlesinger Jr. and Daniel Boorstin; the novelists Saul Bellow and Norman Mailer ald ; and the the ; and cultural critics Lionel Trilling and Dwight AlacdonClement Greenberg and Harold Rosenberg - all, in different literar\^ art critics and often conflicting ways, assimilated the lessons of the 1930s and reflected anxiously about the meaning of modernit\^, in a societ\' where that process was most blatantly underway.

32) he derived the patterning, the outward thrust of circular forms and the Duchamp's Chocolate Grinder, a version of which was incorporated within The Large Glass. " art were thus eliminated.

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